viernes, octubre 30, 2009

you stayed in yourself, dixit Williams

Often before have our fingers touched in sleep or half-sleep and enlaced,
often I’ve been comforted through a dream by that gently sensitive pressure,
but this morning, when I woke your hand lay across mine in an awkward,
unfamiliar position so that it seemed strangely external to me, removed,
an object whose precise weight, volume and form I’d never remarked:
its taut, resistant skin, dense muscle-pads, the subtle, complex structure,
with delicately elegant chords of bone aligned like columns in a temple.

Your fingers begin to move then, in brief, irregular tensions and releasings;
it felt like your hand was trying to hold some feathery, fleeting creature,
then you suddenly, fiercely, jerked it away, rose to your hands and knees,
and stayed there, palms flat on the bed, hair tangled down over your face,
until with a coarse sigh almost like a snarl you abruptly let yourself fall
and lay still, your hands drawn tightly to your chest, your head turned away,
forbidden to me, I thought, by whatever had raised you to that defiant crouch.

I waited, hoping you’d wake, turn, embrace me, but you stayed in yourself,
And I felt again how separate we all are from one another, how even our passions,
Which seem to embody unities outside of time, heal only the most benign divisions,
That for our more abiding, ancient terrors we each have to find our own valor.
You breathed more softly now, though; I took heart, touched against you,
and, as though nothing had happened, you opened your eyes, smiled at me,
and murmured—how almost startling to hear you in your real voice—
“Sleep, love.”

Archetypes del libro Repair, C.K Williams.

sábado, octubre 24, 2009

dos p.m

1.
La vecina del primer piso lleva cuarenta y cinco minutos en su acto de meditación: su alarido sostenido se balancea entre rumor y canturreo. Ya me he acostumbrado. Apenas la escucho. Me tomó algún tiempo percatarme que el sonido era humano. Los primeros días, lo pensé animal. Luego, artificial: el bisbiseo de alguna tubería.
2.
A veces mantiene la nota por más de veinte minutos, antes de parar, inhalar, y continuar. A veces, cuando no hago nada más que escucharla, que intentar descifrar su sonido, siento que me relajo. Como si su meditación fuese contagiosa, zenh1n1.
3.
A lo lejos, pero demasiado cerca, una estrepitosa sirena de ambulancia, o de bomberos, o quizás de patrulla policíaca, aruña los alrededores y se fusiona con la vecina.
4.
La imagen se crea sola: un homúnculo sonoro, de tres gargantas y ojos achinados.

miércoles, octubre 21, 2009

la patria es la madre de todos los vicios, dice Goytisolo

la patria es la madre de todos los vicios : y lo más expeditivo y eficaz para curarse de ella consiste en venderla, en traicionarla : venderla? : por un plato de lentejas o por un Perú, por mucho o por nada : a quién? al mejor postor : o entregarla, regalo envenenado, a quien nada sabe ni quiere saber de ella : a un rico o a un pobre, a un indiferente, a un enamorado : por el simple, y suficiente, placer de la traición : de liberarse de aquello que nos identifica, que nos define : que nos convierte, sin quererlo, en portavoces de algo : que nos da una etiqueta y nos fabrica una máscara : qué patria? : todas : las del pasado, las del presente, las del futuro : las grandes y las chicas, las poderosas, las miserables : venta en cadena, delito continuado, traición permanente y activa :
vender Caldea a Egipto
Egipto a Persia
Persia a Esperta
Esparta a Roma
Roma a los Bárbaros
los Bárbaros a Bizancio
Bizancio al Islam
abandonarse al excitante juego de las combinaciones y extraer de cada operación un beneficio cualquiera : económico, físico o espiritual : o, en último término, por pura gratuidad, por la fulgurante satisfacción del acto en sí : traición grave, traición alegre : traición meditada, traición súbita : traición oculta, traición abierta : traición macha, traición marica : hacer almoneda de todo : historia, creencias, lenguaje : infancia, paisajes, familia : rehusar la identidad, comenzar a cero : Sísifo y, juntamente, Fénix que renace de sus propias cenizas : una dosis de hierba más fuerte que la ordinaria basta : y una calidad, densa, propicia animalidad : Tariq está junto a ti y en sus ojos parece albergar la mirada implacable de un tigre.
Reivindicación del Conde don Julián, por Juan Goytisolo

domingo, octubre 18, 2009

we're all luddites again, dice verhaeghen

Entre la plétora de comentarios en pro y en contra de los e-readers, y el artículo del otro día en el New York Times, Does the brain like e-books?, Paul Verhaeghen (Omega Minor) publicó una respuesta en su blog, Babylon Blues, desde su puesto de psicólogo cognitivo, que vale la pena poner acá:

We're all Luddites again

The New York Times has another one of their inane "articles" on e-readers. This one has a title that just oozes inanity: "Does the brain like E-Books?"

(Reading, as some of us know, involves some high-falutingly named cognitive processes, all having to do with translating high-(one may hope)contrast squiggles into what eventually should be a world. This process is abstract and independent of how the squiggles are embodied. Embodiment just jiggles the parameters; things like the speed of reading. [My advice: Better read fast if it's written on water!])

(Point two. The brain doesn't "like" anything. The brain doesn't contain a homonculus/a that injects pleasure -- or any other form of evaluate judgment -- into the brain's processing modules, any more than the gut feels disgust about all the shit it has to deal with.) (Of course, a mind can feel disgust about all the shit it has to deal with. Hence, par example, this post.)

Sandra Aamodt points out the blindingly (half-pun intended) obvious: It's not about the squibbles themselves, but the implementation. Computer screens fatigue you with their luminance; computer screens also have pnicely inbuilt additional distractions (they tend to contain the whole of the Known Internet, for starters, as well as all of your iTunes). David Gelernter (what's in a name!) points out another blindingly obvious fact: You can search e-books. Like: OMG! OMFG!

So, yeah, I'd have just loved to have heard the town criers on that new invention, the wax tablet (it deadens your memory!); papyrus (your records will rot before your very eyes!); the book (what? no scrolling?); loose type (scribes out of work! scribes out of work!); and the illustration (kills the imagination! kills the imagination!).

Implementation, that's all it is*. As long as the squiggles are the same, the world conjured up will be the same. (The reading mind being the same. Which it never is. Hence the joy of rereading.) No need to spill that much ink (ha!) or pixels over it. Relax. It's all good. It's only about words, and nobody cares about those. (Certainly not the NYT, who now routinely has its book reviews done by novelists. Can't wait for Jay-Z's thorough review of the next Lil' Wayne! 'D love to see Aaron Spelling's take on Thirty Rock! Glenn Beck's -- and no-one else's -- insights on Jon Stewart! Wonder why you become irrelevanter by the minute?)
Still, now that Kindles turn out to be beloved by middle-aged folks rather than hipster young-uns, it's nice to be for once see the pot-bellied and bald crowd ROFLing on their hi-pile carpets.

--

*And so, indeed, if I pay about the same amount to get Dawkins's new one on Kindle as I were to pay for the hardcover, can I please get a black and white version of the color illustrations he refers to, and readable black and whites? And while we're at it, if you handicap the book by kindling it, couldn't you tell me this before I shelled out my hard-earned money, unaptly-named Free Press?

jueves, octubre 15, 2009

only upon itself

1.
Required reading for class: Maurice Halbwachs’ On Collective Memory.
Status: Read Partially.
2.
Today, I felt the helplessness of being away. For the second time.
The first was five Sundays ago: Sunny outside. Beautiful sky.
I said, día de playa.
3.
Collective Memory, again.
"One may say that the individual remembers by placing himself in the perspective of the group, but one may also affirm that the memory of the group realizes and manifests itself in individual memories.”
4.
Today, it’s certainly not the weather.
It’s 50 outside, overcast. Cold for me. Too cold.
‘Your Caribbeanness must be dying inside’, says the random girl who I always run into on rainy mornings.
I smile.
5.
A bridge in Harajuku. It was Sunday, then, too. Not too sunny. We were sitting on the floor—who's at my left, who at my right?
I’m sure the bag of seven tall beer cans was at my feet—empty.
I know Sam had his camera.
I know Juanluís said something funny.
Rubén was too happy.
We were partially drunk. At least, ¾ of us were.
The Japanese Youth smiled at the cameras, hiding behind enormous amount of make-me-up-into-someone-else. The guy from Philadelphia dressed as a weird, old lady, grinned. The beautiful girl in the pink dress being beautiful at the other end. The lady (or was it a guy?) who stopped in front of us and took a picture, thinking we were part of the performances. The breeze. The peace. The queer feeling of memory-making. Am I getting it right? What am I missing? How do they remember it?
6.
Today it was certainly not the weather.
How many people went to the streets?
How many people got hit by the Police? How many people stayed at home? How many went to the beach? How many stared into their TV Sets feeling proud? How many frowned at the silver screens? How many talkers walked? How many walkers talked? How many pronounced stupidities? How many pronounced poetry? How many logged through the net from elsewhere and felt impotent? How many logged through the net from elsewhere and smiled—out of happiness, out of sorrow, out of anger?
7.
My housemate helps me get my shopping bags inside. He saw me through the glass door on our second floor apartment. I stumbled upon a bag of Arroz Rico at Publix. The cashier lady asked me if I knew how much they were selling it for. It had just arrived, she said. It wasn’t registered. I shrugged. I went home, I sat down in front of the old laptop that lacks an F3 Key, and wrote something down. It came out in English.
8.
The dream is based only upon itself, whereas our recollections depend on those of all our fellows, and on the great frameworks of the memory of society.

miércoles, octubre 07, 2009

I'm afraid that my personality got lost in translation.