Mostrando las entradas con la etiqueta Anne Michaels. Mostrar todas las entradas
Mostrando las entradas con la etiqueta Anne Michaels. Mostrar todas las entradas

lunes, agosto 31, 2009

metamorfosis nocturna, dice Michaels

We need not move an inch to wake up one morning and find ourselves to be migrants, or for a writer to find himself, overnight, a foreign writer.

Despite the new ease with which we cross borders and enter the experiences of others, some truths will not change: love finds us wherever we are, a child is born in only one place, the ground where we bury our dead becomes sacred to us; these places do not belong to us, we belong to them. And where does a writer metaphorically wish to be laid to rest? In a book, in a reader. Not laid to rest in terms of immortality, but in terms of common experience; laid to rest in this common ground.

A writer may be born in one place and write in another—but who claims him?

A national literature is made not only by writers, but by readers.

What makes a home for words is a reader; and what makes a home for a reader is words. When the dead cannot be laid to rest in ground that remembers them, sometimes literature is the only grave we have. And that grave is one way a migrant claims a place in his adopted country—a place, ironically, for the living.

Anne Michaels, Reading Faust in Korean

domingo, agosto 16, 2009

muertos ajenos, dice Michaels

“Not too long ago—an instant ago, in terms of evolutionary history—we knew one thing with a fair amount of certainty: the place where we were born would likely be the place where we would die. The simple fact that for billions of people this is not so is one of the most significant changes of our age.”
Anne Michaels, Reading Faust in Korean, en The Atlantic, Fiction Issue 2009.